Eminem’s First Record Label Fails to Stand Up and Succeed Fully in Damages Claim

No items found.
​
April 27, 2021

Last week, the Intellectual Property Enterprise Court ("IPEC") heard the trial of quantum in the claim between F.B.T. Productions, LLC ("FBT") and Let Them Eat Vinyl Distribution Limited ("LTEV") for copyright infringement following the judgment on liability heard before HHJ Hacon on 2 April 2019.1

Ian Karet (sitting as a Deputy High Court Judge) did not find in favour of all FBT's arguments and only awarded FBT a total sum of £7,452.50 plus interest out of the claimed £288,209.

Background

Before Eminem became a global superstar through his Slim Shady LP's, there was his lesser known first album entitled "Infinite", recorded in 1996, which was the subject of litigation last year. FBT, a record company based in Detroit, claimed ownership of the copyright in the sound recordings on Infinite (the "Work") and that copyright had been infringed by the defendants which were LTEV, a record company and Plastic Head Music Distribution Ltd, a distribution company.

HHJ Hacon concluded that LTEV had infringed the copyright by creating vinyl copies of the Infinite album but that neither of the defendants were liable for any of the secondary acts of infringement pleaded.

Present case

FBT elected for an inquiry into damages, claiming damages on three bases:

a) the loss of an opportunity to license a third party to exploit the Work (and various tracks comprised in the Work);

b) the losses flowing from the licence FBT would have offered LTEV for the exploitation of the Work; or

c) a reasonable royalty for the actual sales made by LTEV based on the notion of a willing licensee/willing licensor negotiation.

FBT sought £288,209 in damages on the basis it would have sold 2,000 copies of the Work for US$50. The release of the album would have been preceded by the release of a series of 12-inch vinyl singles of re-mastered tracks from the Work which would have sold for US$20.16 each (the price chosen to refer to the year 2016- 20 years since the Work was first released).That FBT intended to license a third party to manufacture and sell the new vinyl copies of the Work, retaining 90 per cent of the revenue. And further that it had lost the opportunity to be involved in the making of a full-length documentary about the re-issue of the Work.

Loss of an opportunity

Applying the test set out in SDL Hair Ltd v. Next Row Ltd2, the Judge found that FBT had not shown that the tort was a cause of any loss. Accordingly, FBT's claims for loss of an opportunity in relation to plans to sell vinyl records and to make a full-length documentary did not succeed.

Loss of licence fees

It was in FBT's evidence that it would not have offered a licence to LTEV because it was not an attractive potential licensee and so there was no loss of a licence. Therefore, this claim for damage also did not succeed.

Notonial Licence / Royalty

The principles in Henderson v All Around the World Recordings Ltd3 set out the law regarding the approach to be taken in respect of a notional licence agreement and how the court is to consider the right infringed and the time over which that took place. In this case the hypothetical negotiation would have been for a licence to make 2,891 copies of the Work in the UK.

Taking into consideration that the licence would likely have been for a unit price per record and a number of other factors such as the nature and reputation of the licensor and the product in question, this being a special anniversary disc. The Judge concluded the hypothetical fee would be £2.50 per disc. And therefore, damages should be assessed on the basis of a fee for a notional licence to make 2,981 infringing copies totalling £7,452.50 plus interest.

Take Away Points

This case continues to illustrate the High Court's approach to the assessment of damages regarding intellectual property cases. The overriding principle is that damages are compensatory and that a successful claimant is entitled, by way of compensation, to the sum of money which will put them in the same position they would have been in if they had not sustained the wrong.

Parties should think carefully when weighing up the advantages of seeking the High Court to quantify the damages in a claim as the amount awarded may not justify the effort and cost involved in getting there.

The judgment is available here.

[1][2019] EWHC 829 (IPEC)

[2] [2014] EWHC 2084 (IPEC)

[3] [2014] EWHC 3087 (IPEC)

Recent Case Reports

Court of Appeal focuses on the technical effect to determine added matter
30 September 2026
The Court of Appeal provided guidance on their approach to assessing added subject matter, highlighting that the technical effect underlying the invention and how the claimed and unclaimed features contribute thereto is central to the analysis.
Court of Appeal affirms interpretation of product-by-process features in claims, and clarifies applicable law pre-June 2023
29 September 2026
The Court of Appeal confirmed that product-by-process features in a product claim limit the claim only where the specified process imparts characteristics that can be achieved solely by that process. It also clarified the law applicable to acts occurring before 1 June 2023, holding that UPC law may apply to ongoing infringement for injunctive relief, whereas damages for acts completed before that date are governed by national law, and that claims for provisional protection remain governed by national law.
Appeal reveals tricky deadlines for orders contained in decisions
29 September 2026
The Court of Appeal held that where a “privileged order” under Rule 220(1)(c), such as an order relating to the production of evidence under Article 59 UPCA and Rule 190 RoP, is contained within a decision on the merits, a 15 day appeal deadline for that order applies, separate from the substantive appeal deadline. Appeals challenging such orders after that deadline are inadmissible, and parties cannot circumvent the appeal rules by re-filing substantially the same request in the appeal proceedings.